FORGE
by Rachel Mars
25 – 27 May
Unit 15, St. Philips (
Map)


Please read the information on this page carefully before booking your ticket.

FORGE is a powerful durational installation with live metal-working exploring who memorials are for and what happens to places where traumatic events take place.

In 2014 the 100kg iron 'welcome' gate was stolen from Dachau concentration camp. A local blacksmith forged a replica. It was exactly like the original. Almost.

Over three days artist Rachel Mars invites you to bear witness as she welds together another copy of the gate accompanied by sound artist Dinah Mullen who creates a live sound-scape in conversation with the action.

This impactful performance installation asks questions about memorials and provides a space to think about who is controlling narratives of past atrocities. An act of repetition and repair, FORGE asks what it is to preserve a site of collective trauma.

Age guidance: 16+

Photos credit: JMA photography

NB: For health and safety, you are required to wear covered clothing (i.e. long sleeved tops and full-length trousers / leg coverings) and closed covered shoes to attend. 

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A person wearing a visor and red gloves welds a metal joint together, sending blue sparks flying

About Rachel Mars


Rachel Mars is a writer and performer based in the UK. She works at the cross-over of performance art and theatre, exploring female, Jewish and Queer identities and their intersections, and the possibilities of live assembly.

Her recent performance work includes OUR CARNAL HEARTS, a choral dissection of envy; YOUR SEXTS ARE SHIT: OLDER BETTER LETTERS, a queer archive of sex letters; ROLLER, with Mars.tarrab, an interrogation of female aggression and Roller Derby, and STORY #1/#3, an ongoing collaboration with Greg Wohead on radical narrative.

She won a Total Theatre Award and the Oxford Samuel Beckett Theatre Trust Award. She has performed all over the UK and internationally, including recently at Under The Radar -NYC, Barbican London, Brisbane International Festival, Brighton International Festival, Fusebox Festival Austin, On The Boards, Seattle.

Credits


Conceived and Presented Rachel Mars
Dramaturg and Co-director Wendy Hubbard
Sound Dinah Mullen
Designer Naomi Kuyck-Cohen
Metal Fabricator and Mentor Jeni Cairns
Sound Engineer James Ball
Production Manager Helen Mugridge
Executive Producer Claire Summerfield at Tandem Works
Producer Pilar Santelices
Rabbinical / Judaism Consultancy Jacqueline Nicholls and Rabbi Lev Taylor
Development Mentors Kaz Sherman and Helen Paris
El Malei Rachamim sung Rachel Weston
Project Photographers JMA Photography and Claire Haigh
Publication design Villalba Studio

Commissioned by the Barbican, Transform, and Cambridge Junction with support from Stobbs New Ideas Fund.

Using public funding by the National Lottery through Arts Council England.

With support from Chapter Arts Centre, Horizon: Performance Made in England, Metal Culture, MGCFutures and Asylum Arts. Originally developed through the Barbican Open Lab programme.

First performed at Transform Festival, Leeds 2022.

Presented by MAYK.