FORGE
by Rachel Mars
25 – 27 May
Unit 15, St. Philips (
Map)


Please read the information on this page carefully before booking your ticket.

FORGE is a powerful durational installation with live metal-working exploring who memorials are for and what happens to places where traumatic events take place.

In 2014 the 100kg iron 'welcome' gate was stolen from Dachau concentration camp. A local blacksmith forged a replica. It was exactly like the original. Almost.

Over three days artist Rachel Mars invites you to bear witness as she welds together another copy of the gate accompanied by sound artist Dinah Mullen who creates a live sound-scape in conversation with the action.

This impactful performance installation asks questions about memorials and provides a space to think about who is controlling narratives of past atrocities. An act of repetition and repair, FORGE asks what it is to preserve a site of collective trauma.

Age guidance: 16+

Photos credit: JMA photography

NB: For health and safety, you are required to wear covered clothing (i.e. long sleeved tops and full-length trousers / leg coverings) and closed covered shoes to attend. 

A person wearing a visor and red gloves welds a metal joint together, sending blue sparks flying
  • FORGE is a durational installation with entry at 15-minute intervals – we ask that you arrive for the time designated on your tickets, but once you have entered you are welcome to stay as long as you like.

    The installation will include flashing lights, and loud and unexplained noises. The installation is linked to themes of genocide and the Holocaust. Any references are thematic only and the installation contains no direct imagery.

    For health and safety, you are required to wear covered clothing (i.e. long sleeved tops and full-length trousers / leg coverings) and closed covered shoes to attend. 

    On arrival, you will receive a health and safety briefing and be provided with a welding helmet and apron to wear at all times during their visit to the installation. Ear defenders will be available to use.

    The first hour of the first installation day (Thursday) contains no welding. This removes the need to wear protective gear and reduces the intensity of sound levels. However, loud metal working noises are still to be expected.

    If you have access needs which mean wearing a welding helmet or other protective gear is not possible we invite you to book for this time.

  • Unit 15 is a warehouse that is primarily used as a rehearsal space. We have endeavoured to make the installation as accessible as possible, but please read the below carefully and contact us if you have any questions or additional access needs.

    Before your visit

    • Free companion tickets are available. These can be selected at the same time as your ticket.

    • Details of the sound library of the piece and transcriptions of the spoken text will provided in advance for D/deaf and hearing impaired visitors. Printed and Large printed versions will be made available at the venue.

    • The first hour of the first installation day (Thursday) contains no welding. This removes the need to wear protective gear and reduces the intensity of sound levels. However, loud metal working noises are still to be expected.

    • An audio introduction to the space and the installation experience, along with digital images will be provided in advance of your visit for visually impaired visitors

    • A digital version of the accompanying publication will also be made available to all ticket-holders.

    During your visit

    • The venue is wheelchair accessible. There is an accessible toilet on site and limited disabled parking.

    • The installation is a standing experience where you are welcome to move around the space, but seating will be made available if required. There will rarely be more than twenty people in the space at a given time, and so there will be plenty of room and unobstructed sight lines.

    • There will be a comfortable ‘resting area’ adjoining the installation space for those who need it, in which you will not be required to wear PPE.

    • The first hour of the first installation day (Thursday) contains no welding. This removes the need to wear protective gear and reduces the intensity of sound levels. However, loud metal working noises are still to be expected. If you have access needs which mean wearing a welding helmet or other protective kit is not possible we invite you to book for this time.

    • Alternative protective headwear and protective gear will be available for anyone who needs it.

  • FORGE is a durational installation with entry at 15-minute intervals – we ask that you arrive for the time designated on your tickets, but once you have entered you are welcome to stay as long as you like.

    Each slot has been designed to allow you a minimum of 45 minutes in the space, earlier slots will give you the option to stay longer if you wish.

    The installation is open:

    Thursday 6pm – 9pm

    Friday 4pm – 9pm

    Saturday 12pm – 3pm and 4pm – 8pm

    The space will be open for an hour on Saturday evening from 19:45 as an exhibition-style experience, with audiences invited to visit the completed gate.

About Rachel Mars


Rachel Mars is a writer and performer based in the UK. She works at the cross-over of performance art and theatre, exploring female, Jewish and Queer identities and their intersections, and the possibilities of live assembly.

Her recent performance work includes OUR CARNAL HEARTS, a choral dissection of envy; YOUR SEXTS ARE SHIT: OLDER BETTER LETTERS, a queer archive of sex letters; ROLLER, with Mars.tarrab, an interrogation of female aggression and Roller Derby, and STORY #1/#3, an ongoing collaboration with Greg Wohead on radical narrative.

She won a Total Theatre Award and the Oxford Samuel Beckett Theatre Trust Award. She has performed all over the UK and internationally, including recently at Under The Radar -NYC, Barbican London, Brisbane International Festival, Brighton International Festival, Fusebox Festival Austin, On The Boards, Seattle.

Credits


Conceived and Presented Rachel Mars
Dramaturg and Co-director Wendy Hubbard
Sound Dinah Mullen
Designer Naomi Kuyck-Cohen
Metal Fabricator and Mentor Jeni Cairns
Sound Engineer James Ball
Production Manager Helen Mugridge
Executive Producer Claire Summerfield at Tandem Works
Producer Pilar Santelices
Rabbinical / Judaism Consultancy Jacqueline Nicholls and Rabbi Lev Taylor
Development Mentors Kaz Sherman and Helen Paris
El Malei Rachamim sung Rachel Weston
Project Photographers JMA Photography and Claire Haigh
Publication design Villalba Studio

Commissioned by the Barbican, Transform, and Cambridge Junction with support from Stobbs New Ideas Fund.

Using public funding by the National Lottery through Arts Council England.

With support from Chapter Arts Centre, Horizon: Performance Made in England, Metal Culture, MGCFutures and Asylum Arts. Originally developed through the Barbican Open Lab programme.

First performed at Transform Festival, Leeds 2022.

Presented by MAYK.