For the last seven weeks, I have been interning at MAYK as part of my Theatre and Performance Studies course with the University of Bristol. From writing tweets and compiling press lists to ushering shows and distributing flyers, the variety of work I’ve done has made my experience extremely valuable. On my first day, I was thrown in at the deep end and logged into MAYK’s social media accounts; I quickly learnt how to maintain a relationship with our followers by retweeting content we hoped would be of interest to them, as well as sharing the details of MAYK’s upcoming work.

We are delighted to announce that Anna Starkey is to become our new Chair, alongside five additional new board members.

It’s been a whomper of a year for us at MAYK. As we all swap emails and spreadsheets for mince pies and mulled wine, we thought it’d be nice to take a look back at the year

Two shows made right here in Bristol and supported by MAYK are heading across the pond in the New Year as part of Vancouver’s PuSh Festival.

This #GivingTuesday we asked some of our friends and supporters to share why they think MAYK is important to them. This is what they said.

Caroline Williams and Reem Karssli’s Now Is the Time To Say Nothing to tour the UK in 2019

We asked MAYK Board Member Sarah Murray a few questions about what it’s like to be on our board.

We’re looking for a Chair and new board members for MAYK.

Ahead of the premiere of her Unlimited Commission ‘We Are Fucked’ at Arnolfini, Bristol, this month, Jo Bannon gives us a glimpse into the research process behind the performance.